外星恶客
影片信息
- 状态：HD中字
- 主演：Mar/hall/Thomp/on/hirley/Patter/on/Kim/palding/
- 导演：Edward/L./Cahn/
- 年份：1958
- 地区：美国,欧美
- 类型：恐怖/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2024-12-19 13:24
- 简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on . Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
- 1
-
关注公众号观影不迷路
-
扫一扫用手机访问
网友评分
0次评分
扫一扫用手机访问
剧情简介
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on . Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
为你推荐
换一换-
豆瓣高分全1集如果一个男人喜欢你，他会想方设法让相爱发生。
-
正片更新至1集一名花花公子要继承遗产就必须满足父亲的遗愿：让儿子娶到世界上最美的女孩。为此/他举办了一台约会节目/
-
正片正片影片讲述一对居住在伦敦的非裔姐妹的故事/展现人性、情感的弱点和“残酷真相”。/
-
正片更新至1集英国移民局年度最佳公益广告片！
-
正片全1集4.3 《峡谷》的故事发生在美国洛杉矶/一群光鲜亮丽的二十多岁年轻人沉浸在荒淫无度及物质横流的生活中/当他们无比享受这种纸醉金迷的生活时/一个前来复仇的神秘人打破了他们极致享乐的生活/他恐吓这些年轻人将毁掉这/
-
HD影片由基里尔·谢列布连尼科夫（《彼得罗夫的流感》《盛夏》）执导/帕维乌·帕夫利科夫斯基（《修女艾达》《冷战》）编剧/根据法国作家埃马努埃莱·卡雷尔撰写/描绘俄罗斯激进诗人、持不同政见者爱德华·利莫诺夫/
-
正片HD2.8 两名训练有素的特工被派往神秘峡谷的对立两侧执行保护任务/并因此变得亲密。当邪恶势力出现时/他们必须携手合作/以求在峡谷中的未知险境中生存下来。/
-
正片更新至1集十九世纪/日本内战进行中/只见旧幕府势力节节败退/新政府军持续挺进。位于决定性领地的「新发田」藩/虽表态拥护幕府老东家/关键渡口却仅派十一位将士前往驻守防御新政府军。而这些将士/其实是藩主另以除罪为诱/
-
豆瓣高分全1集国产还是支持下吧
-
华语奇幻片榜全1集雷佳音总是能带给我快乐~
-
正片更新至26集碧瑶比想象中的好 挺搞笑的电影 好多熟悉面孔
-
高分僵尸电影榜全1集他（尼古拉斯·霍尔特//饰）是一只生活在末世的僵尸/依稀只记得自己的名字里有个“R”。与世俗观念不同/作为僵尸他能够思考/依旧残存着些许生前记忆。R生活在废弃的班机上/喜欢/
-
正片全1集2020那么难，还好有爱情。
-
正片全1集10.0 挺好的，低到这种烂片评分不应该。
-
第19届中国电影华表奖获奖名单全1集4.0 看完哪吒，对姜子牙真的好期待，希望能保持水准
-
2014评分最高韩国电影全1集6.0 剧情蜿蜒曲折 感人
-
豆瓣高分全1集真的在空间站拍的，不是CGI特效?
-
豆瓣高分全1集10.0 你不拍，我不拍，“华人文化”老外拍
-
更新至1集1.0 从台州独特的地理风貌出发/深度挖掘山海对台州风物、饮食的影响/对台州人的塑造。以美食与风物之名/感受台州人的气质与个性/呈现台州这座城的生活美学。/
-
正片正片2.3 VeerKhuranaandKoyalChaddaareamismatchedcouple/whogetintoanarrangedmarriage.Acaseofmistakenidentityfo/
-
豆瓣高分全1集郭渡元的演员生涯完美诠释就算跑龙套都要挑剧本。
-
正片更新至1集影片前半部分是一部硬核犯罪动作片/讲述了一名被夹在警察和黑帮之间的杀手/为了生存而奋力拼搏的故事。后半部分则采用喜剧风格/以自我恶搞的形式重新演绎了前半部分的故事。北野武饰演主角杀手“鼠”。/
-
正片更新至1集1.4 宋·皇祐三年/涿郡府泗水县/因人口大量走失而引起民怨发生叛乱/县令宗朝虽将叛乱镇压/但走失的人口始终无法找回/刑部卧底遒辛治受太尉陆判官之命/顶替被暗杀的周广泗水帮帮主/通过卧底身份帮派搜集情报/从而/
-
正片HD杜奕衡/徐媛媛/张镐濂/
-
HD女警官玛德琳负责一项紧急任务：将一名重要的罪犯证人押运到纽约出庭作证/指控一个危险的黑帮罪犯家族。这项任务至关重要/但风险极高/因为黑帮势力不惜一切代价要阻止该罪犯证人出庭。/
-
HD夏天快要来临的时候/巴黎女子戴尔芬（玛丽·瑞莱/Marie/Rivière/饰）却陷入了忧伤与烦闷中。刚刚和前男友结束恋爱关系/本来约好与她一同度假的女友也放了她鸽子。尽管其它许多好心的亲友邀请她一同/
-
HD一场仅限邀请的庆祝派对/受邀的两位客人跟主办者似乎有着不可告人的秘密/在肉体的欢愉里精神却持续颤栗着/秘密与身体同时交缠密不可分…/
-
HD一个圣洁的女人克拉拉/在Tonton的帮助下/带领着三个新认识的人踏上了自我发现之旅。/
-
第92届奥斯卡奖全部获奖及提名名单全1集b站，虽然狗血加鸡汤但是还是很好看orz
-
HD本作は、道の片隅に咲く花草を愛し、ささやかに生きる男女の生活を描く物語。画家のナズナは恋人・キタムラとの壮絶な生活に精神のバランスを崩し、コタロウの部屋に逃げ込む。ナズナは花や草を愛するコタロウの愛に/